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This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema.
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English
English [CC]
FREE
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Description
It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica, and Kurosawa. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship.
Course content
- Introduction (2007) Unlimited
- Keaton (2007) Unlimited
- Chaplin, Part I (2007) Unlimited
- Chaplin, Part II (2007) Unlimited
- Lecture 5: Film as Global & Cultural Form; Montage, Mise en Scène Unlimited
- German Film, Murnau Unlimited
- The Studio Era Unlimited
- The Work of Movies; Capra & Hawks Unlimited
- Alfred Hitchcock Unlimited
- Shadow of a Doubt, Rear Window Unlimited
- The Musical Unlimited
- The Musical (continued) Unlimited
- The Western Unlimited
- The Western (continued) Unlimited
- American Film in the 1970s, Part I (2007) Unlimited
- American Film in the 1970s, Part II (2007) Unlimited
- Jean Renoir and Poetic Realism Unlimited
- Renoir’s Grand Illusion (1937) Unlimited
- Italian Neorealism, Part I (2007) Unlimited
- Italian Neorealism, Part II (2007) Unlimited
- Truffaut, the Nouvelle Vague, The 400 Blows Unlimited
- Kurosawa and Rashomon Unlimited
- Summary Perspectives – Film as Art and Artifact Unlimited
Instructor
Massachusetts Institute of Technology
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